Saturday 15 July 2017

REVIEW: Logan (15)


"Yep, 17 years of playing Wolverine certainly takes it out of you!"
It’s been a whopping 17 or so years (most places are touting 2 decades to make it sound more impressive) since the first X-Men movie hit our screens and proved two major things. These are a) that it’s not just Marvel that can actually make a brilliant superhero movie and 2) that the casting agency are second to none. Wolverine and Professor X are two roles that Hugh Jackman and Patrick Stewart were born for, and they made a perfect pairing then (and still do) in what my girlfriend called Hugh Jackman’s Wolverine retirement movie.

Taking elements for a number of different genres and recent movies, Logan never quite sits with its predecessors nor the MCU. As I watched I saw numerous echoes of movies I’ve seen before over the last few years. Elements of Mad Max: Fury Road, Iron Man 3, Skyfall, Deadpool and more, this is not particularly original but for fans of the character Wolverine, there’s plenty to be chewing on.

An older Logan is now driving a limo for the pleasure of others and an ageing Professor X is holed up on an old factory ground. Being a base of sorts for both mutants, they have a third mutant Caliban (Stephen Merchant) whom looks after the area as best he can. Relationships are strained, but they get along adequately for their needs. As the last remaining mutants, Prof X, Wolvie and Caliban keep their heads down.

This is not the end though, as a reluctant Logan picks up a ride and it turns out to be a nurse, Gabriella, and her mute daughter, Laura. Newcomer actress Dafne Keen plays Laura superbly with a mix of innocent cuteness and angry chaos. But they are not all what they seem. As the story develops this R-rated movie (clearly following in the footsteps of Deadpool) garrottes, decapitates and f-bombs its way through action and road trip respectively to take the seemingly innocent Laura to North Dakota where she can meet up with some people just like her.

Logan is a perfect send off to conclude the run of movies that started at the beginning of the century. Of course, there is a point at which the actors who play these timeless characters will need to pass the baton on, and this movie was the perfect vehicle to do this. Jackman and Stewart end their involvement with just the right amount of nostalgia, emotion and storyline to reach a satisfying ending. However, the movie also suggests something more on the horizon which doesn’t spell the end for the X-Men universe.
"Logan with his new wheels"
Logan is nothing like the other movies, and, although there are a few uses of superpowers, these seem to be more of a hindrance than a help. Logan himself is left in a rather weakened state but is still lethal, however limps around and coughs and splutters like Leo DiCaprio after he has been attacked by the bear in The Revenant. Although I realise that this is to show weakness on the parts of the two main characters due to ageing and being generally tired, sometimes it can feel a bit too laboured. I wanted Logan to suddenly get a new wind and start to fight like the old Wolverine. Although there are some scenes which are amazingly choreographed and are suitably grisly for the fact we have a guy with razor-sharp claws attacking someone, most of the movie is seeing a grizzled, beaten up Wolverine who is a shadow of his former self.

In a nutshell, this movie is stripped back, bare and shows powerful characters with their weaknesses. Not unlike the movie Mr Holmes, these characters have definitely seen better days. More story and more thought is in this one, which is in direct contrast to the action packed, fly with the action movies we are used to. It is still a good send off for some of the most beloved X-Men characters, though... until the next time of course.

POPSCORE: 7.5/10

REVIEW: The Great Wall (12A)


"The cosplay finals were in full swing..."

Matt Damon, and that fella (Pedro Pascal) who fights The Mountain in Season 4 of Game of Thrones, team up for this fantasy action movie set in ancient China with Tian Jing playing the Commander of a group of elite soldiers defending The Great Wall (of China). Featuring rather colourful and cool armour and some sweeping cinematography, The Great Wall is a visceral pleasure, but gives everything away too soon so any sense of suspense is deflated before it starts.

Based on myth (obviously loosely) The Great Wall features armies, monsters and two almost superhuman characters. Damon’s character begins like Leonardo DiCaprio in The Revenant and finishes like an Ancient Chinese Jason Bourne whilst Pedro Pascal reminds me a bit too much of Cassian Andor from Rogue One. My biggest fear was that this would be a movie where the superior white man saves the other ethnicities from certain doom, but although there is an element of this it was nowhere near as bad as I feared it would be.

The movie itself is enjoyable enough, but, as I said earlier, is hit with the issue that the film gives too much away too soon. This means that once the big reveal has happened, the movie trundles to a conclusion that you could probably guess before it actually happens. Tian Jing is a stunning looking lady but backs it up with combat prowess and a strong female character that defies stereotype. Willem Dafoe also features and is woefully underused, but a welcome addition to the cast. However, regardless of the pleasing visuals, the sweeping shots, some great choreography and special effects, the film doesn’t quite reach the echelons of greatness that the Wall suggests. It’s enjoyable and decent if you are yearning for an action movie, but the only great part is in its title.

POPSCORE: 7/10